Daughter of Polaris
Daughter of Polaris
Lily wanted to create something different on the second of the series. With the gloss finish it gives the illusion of being “underwater” with not only the pearlescent bubbles but also the texture and application of the enamel paints. Look in the upper bout and you see a hexagon and larger circles that give the illusion of looking through a prism. Her hair is floating above her head and gives the illusion of seaweed moving with the rhythm of the current…..This uke is constructed with Claro Walnut back and sides with a Western Red Cedar top, a Walnut neck, East Indian Rosewood fingerboard, faceplate and bridge and incorporates a custom sound port. Black Gotoh UPT tuners along with a bone nut and saddle complete the package.
The Limited Edition Mermaid Collection- by Lily Cain and John S. Kinnard
The Mermaid Collection is a compilation of five very special ukuleles. Each individual instrument will carry a mermaid theme but be unique, not only by the original artwork of Lily's, but also the woods and appointments used by John in its construction. This is a collaboration between two artists and the synergism and connection that results between them is what makes this series so original and very special.
The Mermaid Collection
Number one in the series is called "Siren of the Sea" and depicts a Mermaid plucking the strings of the uke as an audience begins to build.... It is constructed using Brazilian Lacewood for the back and sides and a Sitka Spruce top. It has a Mahogany neck, Rosewood fingerboard and bridge and a Lacewood faceplate with gold UPT tuning machines.
Polaris is the “North star” and has been used throughout history to guide sailors on their journeys in the Northern hemisphere. The pearlescent bubbles in the scene represent stars in the night sky and the mermaid is floating motionless and calling out to sailors to “come this way….”.
"Siren of the Sea"
Siren of the Sea
The Artist- Lily Cain.
I grew up in the outskirts of San Diego, on Lake Hodges. My father is a shipwright and my mother, a middle school teacher. I have a younger sister, who is a bit of an Amazon – despite her attitude when she’s around her cats.
I did my undergraduate at Sonoma State University, attaining my BFA in printmaking under the direction of Kurt Kemp, Mark Perlman and Jane Fisher. After taking some time to build my practice, I was accepted into the Printmaking Department of The Royal College of Art in London, England where I received my MFA under Jo Stockham and Mark Hampson. It was while I was in England that I began to become much more engaged with my work in an academic environment; it began to take off in a direction that was an ally to my own self – where I could utilize my skills as printmaker/painter in tandem with how I saw the world.
Materially, I’m a bit of a magpie – collecting things that I like. The craft of my work engages the history of American craft, using it to celebrate the construction and complexity of the female. I gather the images and objects that I am attracted to and create an environment that my work is created out of. Then, I make intuitive conclusions that I later deconstruct. I was trained in the traditional techniques of Printmaking and Painting --- which has evolved into making small sculptural pieces using butterflies, moths and found imagery while maintaining my fundamental skills in the traditional mediums. Being a Printmaker is important to me. It allows me use my strengths of being methodical and detailed oriented to create structure. I’ve learned it’s not just a medium of how to make work, but a process that allows you to develop your practice outside the lines.